- #Iridient developer fuji film simulation manual
- #Iridient developer fuji film simulation skin
- #Iridient developer fuji film simulation full
- #Iridient developer fuji film simulation iso
~2,300 lines of strong detail from JPEGs, about the same from ACR converted RAW.
#Iridient developer fuji film simulation full
See full set of test images with explanations See the Extremes: Sunlit section below to see how the X-A2's Highlight/Shadow Tone and D-Range settings deal with harsh lighting like this. Again, color was just a touch cool with the Auto white balance setting. Very deep shadows were quite clean, but sometimes had odd artifacts in the form of bright or dark pixels around high-contrast edges, as well as some strong posterization and discoloration, and they tended to abruptly clip to black. The Fuji X-A2 also overexposed our Far-field shot, producing quite few clipped highlights at default exposure, while some shadows remained quite deep.
#Iridient developer fuji film simulation skin
Skin tones were pleasing, with a healthy-looking pinkish cast that's not too overdone with Auto white balance. This is better than average, though, as most cameras need +0.7 EV for this shot, but it did lead to a lot of blown highlights. The Fuji X-A2's default exposure was too bright in our "Sunlit" Portrait shot, requiring -0.3 EV exposure compensation.
Outdoors, the Fuji X-A2 produced good color at default settings, just slightly on the cool side. Very good color though slightly cool outdoors. Our test lighting for this shot is a mixture of 60 and 100 watt household incandescent bulbs, a pretty yellow light source, but a very common one in typical home settings here in the U.S. The Fuji X-A2 required -0.3 EV exposure compensation here, while most cameras need about +0.3 EV for this scene.
#Iridient developer fuji film simulation manual
The Manual white balance setting was quite accurate, though, just slightly cool. Indoors, under typical incandescent lighting, color balance was too reddish using the Auto setting, and the Incandescent white balance setting produced a yellow/orange cast. See thumbnails of all test and gallery imagesĪuto and Incandescent white balance struggled, but very good results with the Manual setting. (The cyan to blue shift is very common among the digital cameras we test we think it's a deliberate choice by camera engineers to produce better-looking sky colors.) Average "delta-C" color error after correction for saturation at base ISO was only 4.07, which is very good, and hue accuracy remained better than average across the ISO range. The most noticeable shift is in cyan toward blue, with more minor shifts in some other colors such as aqua, orange, yellow and blue. The Fuji X-A2 produced only a few color shifts relative to the mathematically precise translation of colors in its subjects, and has very good hue accuracy overall. Oversaturation is most problematic is on Caucasian skin tones, as it's veryĮasy for these "memory colors" to be seen as too bright, too pink, Note that Fujifilm claims their Astia film simulation produces "true-to-life" skin tones.) Where (Here, too, the X-A2's saturation and/or film mode adjustments may come into play for some users, letting them tweak the color on skin tones, if they find the default rendering a bit too saturated for their personal tastes. Results were more pleasing with Auto white balance, producing a healthy, slightly more pinkish look. The Fuji X-A2 rendered pleasant Caucasian skin tones that were just a touch on the warm side when white balance was adjusted to match the light source at base ISO. Like their color a bit brighter than life. Most consumerĭigital cameras produce color that's more highly saturated (more intense)
#Iridient developer fuji film simulation iso
Mean saturation varied only slightly as ISO increased, with the range varying from a minimum of 108.2% at ISO 25,600 to a maximum of 111.4% at ISO 1600. You can of course tweak saturation and/or select a different film simulation mode. Default mean saturation at the base ISO of 200 was 110.3% (10.3% oversaturated), which is about average these days. The camera pushes most colors by a small amount, dark red and dark green by a moderate amount, but undersaturates yellow and aqua by just a bit. The Fuji X-A2 produces images with typical saturation levels using the standard film simulation (Provia) at default settings. Mouse over the links to see results across the ISO range, and click on the links for larger images. Thus, hue-accurate, highly saturated colors appear as lines radiating from the center. Hue changes as you travel around the center. More saturated colors are located toward the periphery of the graph. In the diagram above, the squares show the original color, and the circles show the color that the camera captured.
0 kommentar(er)
